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Moat surrounding city of Tabriz, circa 1930s |
On the evening of the very day of the Báb's execution, which
fell on the ninth of July 1850…, during the thirty-first year of His age and
the seventh of His ministry, the mangled bodies of the Báb and His companion
were transferred from the courtyard of the barracks to the edge of the moat
outside the gate of the city. Four companies, each consisting of ten sentinels,
were ordered to keep watch in turn over them so that none of His followers
might claim them.
On the following day the Russian Consul in Tabriz visited
the spot, and ordered the artist who had accompanied him to make a drawing of
the remains as they lay beside the moat. Nabil, in his chronical, ‘The
Dawn-Breakers’, relates the following account from a believer by the name of
Hájí ‘Alí-‘Askar who saw this drawing:
“An official of the Russian consulate, to whom I was
related, showed me that same sketch on the very day it was drawn. It was such a
faithful portrait of the Báb that I looked upon! No bullet had struck His
forehead, His cheeks, or His lips. I gazed upon a smile which seemed to be
still lingering upon His countenance. His body, however, had been severely
mutilated. I could recognize the arms and head of His companion, who seemed to
be holding Him in his embrace. As I gazed horror-struck upon that haunting
picture, and saw how those noble traits had been disfigured, my heart sank
within me. I turned away my face in anguish and, regaining my house, locked
myself in my room. For three days and three nights, I could neither sleep nor
eat, so overwhelmed was I with emotion. That short and tumultuous life, with
all its sorrows, its turmoil, its banishments, and eventually the awe-inspiring
martyrdom with which it had been crowned, seemed again to be re-enacted before
my eyes. I tossed upon my bed, writhing in agony and pain.”